Celebrating Manufacturing Excellence
Find the top manufacturers across various industries, offering high-quality products and services. Our comprehensive directory features manufacturers specializing in sectors such as automotive, electronics, textiles, and more.
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Shih Cheng Lo, Min Han Yang
Taiwan (China) (TW)
Ways to experience and create life The source of all ideas, changes, words and deeds, thoughts and meanings! Improve the quality of life by creating space aesthetics Describe the artistic taste and the planning of the space moving line Use different material to combine to give multivariate space atmosphere Listening to the needs of the residents translates into a functional and aesthetic "home" Record the unique character of each living space.
View ProfileYANG WEN WEI
Taiwan (China) (TW)
Founding concept to create a tasteful space for customers. We are a group of design teams with unique life aesthetics, innovative fashion vision and taste. People-oriented, design technology is important, but talent is the biggest key. The center of the space is not the object, but the life. A successful design is able to establish a connection between users and have a sense of belonging! Creating a friendly space to create a better life is exactly what we think of as an attitude towards life.
View ProfileEdgar Jara Asilvera
Paraguay (PY)
Edgar Jara is a Paraguayan graphic designer, who from a very young age at the age of 17 was related to the world of design through the fascinating world of graphic arts, where I enter as an assistant to form in the profession his passion and enthusiasm for the works to be printed led him to meet in that place prestigious designers and plastic artists of the country, this relationship forged his impetus by the knowledge of design that a few years later in 1988 would lead him to train at the only design institute at the time, Art Studium, graduating as a better student with the title of superior technician in graphic design, from there everything would be on the rise in a Meteoric and constant career of professionalization and hard work in the media of the highest prestige in the country. There was knowledge and without fear of challenges, it continued to be perfected in specialized workshops until years later he was enabled to design at the university level at the Catholic University of Asunción, managed to enroll and attend the first years, pitifully circumstances of life prevented him from graduating, however, he continued to work for large commercial companies becoming in charge of the development and advertising creativity for large global automotive brands such as Chrysler, Jeep, Dodge, Suzuki, Daewoo, and Ssangyong, for the representative companies Censu and Cencar S.A. After almost 10 years, life would give him the rematch and finish his university studies, graduating with a Bachelor's degree in Graphic Design from the faculty of Science and Technology of the UCA, (Catholic University of Asunción) His professional projection brought him back to the media to a new media holding company the Chena Group, where for more than 10 years he directed communication and brand projects, by then he had been perfecting himself for quite some time and developing a Brand design for the creation of important brands at the national level. Currently with more than 30 years of experience in carrying out design consulting projects and as a Brand designer for all types of companies, as well as a wide range of packaging design, advertising, and social media services. Experience and constant updates allow you to manage projects for any area or platform of visual communication, creativity, and multitasking skills to execute professional plans. His professional profile could be said to be framed as a specialist in the creation of strong brands, strategic approaches to integral identity communication, elaboration of guides for the positioning and strengthening of corporate brands. It should be noted that his skill is a conjugation of creative processes, a perfect symphony of the structure in the design of each logo. Turning these into a pleasure to the eye. Its greater strength, research, and exploration are the basis that consolidates and gives pregnancy to future branding or rebranding designs, at the end of this the brand will be backed with solid sustainment in terms of meaning and its design.
View ProfileAsya Demidova
Ireland (IE)
Asya Demidova is an art director whose practice is based on a multidisciplinary integrated design approach focusing on branding and creative direction. Her design practice is profoundly based on strategic thinking and creation of conceptual solutions. Asya's methodical approach stands for a detailed understanding of the brand's essence and the development of bold visual solutions, and the alignment of the brand's purpose through storytelling. She loves to build flexible visual systems, being playful with text, stay visually experimental. In her works, she is adherent to implement technologies and different mediums to create an engaging experience. She combines the physical and digital worlds, experimenting with 3D, AR, animation, and exploring visual communication edges.
View ProfileOyu
Japan (JP)
OYU is an artist and creative director who runs ATELIER OYU ＜Atelier & Gallery＞ ATELIER OYU is a place where flower artist OYU creates and presents her works. In addition to her floral works, she also exhibits collaborative works with artists from various genres such as jewelry, glass, ceramics, and metallic materials, attempting to link a wide range of art that transcends genres and generations. Usually by appointment only, but during the spring and Christmas seasons, we hold public events. ＜Sales＞ The works displayed in the gallery are available for sale, except for some of the contest entries, such as OYU's flower art works, and other artists' works, collaborations with OYU, and products produced by OYU. ＜Order production＞ We respond to customers' requests. Ex: Space decoration Interior objects Occasional gifts ＜Social Contribution＞ Exhibition space is provided as a place for art school students to present their works. We support the young creative power that will spread its wings in the future.
View ProfileSANG IL JEON
Republic of Korea (KR)
MY DESIGN IS Identity as a designer 1. I am a designer who is not better than everyone else. 2. So I do my own design with my unique identity. 3. What I think about design is always 'progressivity'. Evolution is a fundamental attribute of design. Progressivity is a positive attitude to new changes and possibilities, and resistance to the inertia that is blind and natural. A designer is a person with a habit of moving forward. It is the people who have to recognize the present age constantly, have the obligation to be ahead of the times, and have to propose a new future. Some people were confused about me. Sometimes an exclusive people reveal their disgruntle and says, "Why do you do such design?" Then I say, "Why are you so uncomfortable?" Decidedly, I have the identity as 'conceptor'. I define myself as a concept designer who considers thought and philosophy when designing. I am with an identity that I project my ideas and concepts to the object and deal with them. With the message in my design, I aim to inspire society and people and create a better future. A progressive design that we have never been seen before. I aim at a new design that goes beyond the concept of what other people says. In my own words, 'being looks like it is not things of this world' I feel like bliss having the all-world when I come up with a whole new idea. such a moment is fun. 'HERITAGE OF SANG IL' project, which has been undergoing since 2012. www.HERITAGEOFSANGIL.com I do not have many things in many ways as a designer, but the one thing which I am confident is the strong identity that leads to self-esteem as I am a designer. There is no talent. There is only an attitude. Because I am stubborn like a firm land, I constantly have to repeat breaking and breaking walls toward the farther places, the higher places, and the unimaginable places, from the limitation of my brain to over the above. After finishing breaking, when I am filled with a feeling of accomplishment like flying the sky I have to go back again. I feel that I have come from breaking walls to the outside but actually, behind my back, I am standing to the walls I made without knowing. To return, I have to break the wall again and destroy it. I have to dig into it again and again. After all, I see what the last kernel is left, and think what to do next. Which design I mainly do It is important to think about some than to design something. If when you ask, "What designs are you designing?", I just say, "I really do not care about 'what design. I 'just design' when it comes up." If I say this with a long sentence, industrial design is my major in university, so I have worked hard, I like just 'design' regardless of what to do. I work mainly by connecting the idea, the flow of consciousness, the notion (ex - hungry), and the concept (ex - laziness) to the result. However, the format and results of the expression are close to design. I design the thing that does not exist, and I also design existing ones. Above all, I am trying to eat and live while using my identity as a designer. Why design is fun It suits my aptitude. 'Designing what to think'. An act of visualizing and realizing the idea. I like to think about design. Reason 1. 'I make rules', 'I do create'. I enjoy observing thoughts and events I intended through the design become visible phenomena. It is also interesting to watch unexpected interesting things happen. Reason 2. Strangely, every time I see the results of designers who are called 'the best in the world' since I first learned design, I always thought that I would be able to do like them if I try to do so. I do not know why this is so (because I did not know anything at that time). I live with a positive illusion that the idea of being too far and unreal to some can be a reality for me. The happiest and most fortunate in my life is that I can live with this positive attitude. I aim for 'the classic design' I want to design the classic design that aims for the timeless value of 'classic design', the highest value. Many designs will disappear and become garbage, but they will be for a long time with a value that will shine forever. The past, present, and future are always connected and constantly communicating with us. The heritage, the result of it, is breathing forever. So I design it with the idea that it will leave timeless value to HERITAGE OF SANG IL. So it is important to design for long life and inspiring design. As the 'present me' records, 'past me' teaches 'future me'. 'Future I' is worried about what 'past me' was trying to tell himself. For new design Beyond the design, we know until now, a new era of design, I effort the role as a new designer.
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